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It's Lene's first day back at work after some time off. Friends and acquaintances, regulars and strangers come to her jazz and blues bar. While Lene is waiting for Danish musician Leif, who is scheduled to perform tonight, the guests discuss all kinds of topics, ranging from pop music by elves and invisible cell phones to maggots eating away at corpses. But what if Leif doesn't show up at all?

In the spring when the cherry blossom petals fall, Yū Narukami moves to Yaso Inaba to live with his uncle and cousin due to his family's circumstances. He transfers to Yasogami High School, where his event-filled school life begins. However, when serial murders begin occurring in the peaceful town, Yū is awakened to the power of his heart turned to physical form: A Persona. Within these new mysteries is Marie, a resident of the alternate world, the Velvet Room, who has no memories of her past. Together with his friends, Yū must solve all the riddles set in front of him and save Yaso Inaba from further violence.

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Film of the legendary 1985 concert performance presented by the New York Philharmonic of Stephen Sondheim's classic musical at Avery Fisher Hall at Lincoln Center. The plot of the musical centers around a reunion of showgirls who appeared in an annual Follies extravaganza when it was staged between the wars. Sally and Phyllis are two of these former showgirls, now middle-aged. Sally is married to Buddy, and Phyllis is married to Ben. Sally is unhappy with Buddy, and still is madly in love with Ben after a brief affair they had when they were younger. Phyllis is going to divorce Ben, so all seems right. But the reason Phyllis is divorcing Ben is because he is incapable of showing real, genuine love. Will Sally truly be happy if she leaves Buddy and marries Ben? Okay, the plot isn't much, but the songs are wonderful. The show features frequent "pastiche numbers" in which other former showgirls perform numbers in the style of the period in which this Follies was staged. These numbers, juxtaposed against the moving "book songs," make for a truly brilliant score.

Film of the legendary 1985 concert performance presented by the New York Philharmonic of Stephen Sondheim's classic musical at Avery Fisher Hall at Lincoln Center. The plot of the musical centers around a reunion of showgirls who appeared in an annual Follies extravaganza when it was staged between the wars. Sally and Phyllis are two of these former showgirls, now middle-aged. Sally is married to Buddy, and Phyllis is married to Ben. Sally is unhappy with Buddy, and still is madly in love with Ben after a brief affair they had when they were younger. Phyllis is going to divorce Ben, so all seems right. But the reason Phyllis is divorcing Ben is because he is incapable of showing real, genuine love. Will Sally truly be happy if she leaves Buddy and marries Ben? Okay, the plot isn't much, but the songs are wonderful. The show features frequent "pastiche numbers" in which other former showgirls perform numbers in the style of the period in which this Follies was staged. These numbers, juxtaposed against the moving "book songs," make for a truly brilliant score.

David, a paraplegic father, has jeopardized his marriage and he has alienated his young son by putting his career ahead of his family's needs. He tries to redeem himself, but finds great challenges as he races across town in order to make it on time to his son's viola recital.

Picture this: a television screen filled with an image of a mature woman's hand holding the hand of an adolescent girl. Then those hands--and their owners, Barbra Streisand and 15-year-old look-alike and singing sensation Lauren Frost--ascend a flight of stairs that leads (suggestively, at least) to destiny itself. A third of the way up, Barbra releases her surrogate child-self... and watches as the latter climbs the rest of the way, disappearing into her future of possibilities. 　　Wow. Who else but Streisand could still pull off such an audacious moment of sentimental psychodrama, the way that only a true star could? Yet nestled within the autobiographical meringue of the legendary singer's Millennium's-End concert, performed at the MGM Grand Hotel in Las Vegas on December 31, 1999, that scene--and many other such self-referential moments reliving the sundry chapters of Streisand's life and career--is quite moving in its laid-bare honesty. A fuller experience than listening to the double CD of the concert, this video record of a magical night (does anyone remember our collective Y2K anxieties that New Year's Eve?) provides the most bang for the buck when it comes to reliving all those special scenes: surprise guest appearances (Barry Gibb, Bryan Adams, Neil Diamond, and Streisand's son, Jason Gould), duets with Judy Garland and Frank Sinatra (via video footage, of course), an appearance by dance master Savion Glover as Brother Time, a humorous bit with Shirley MacLaine, and several collaborations with Frost. If Timeless: Live from the MGM Grand was indeed, as Streisand claimed, the first step of a short farewell tour that ended in early 2000, it was the perfect way to exit the stage forever. --Tom Keogh

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The Coachella concert series is examined through the lens of rare footage, interviews, and performances from some of the most famous performers who ever graced the venue.